Weiteres Teilstück erhalten in Metropolitan Museum of New York, Inv. Nr. 16.90, Maße: 81.3 x 172.7 cm; im Online-Katalog: https://www.metmuseum.org/art/collection/search/463959; Inv. Nr.: MMA 16.90, dort lange Literaturliste: Guiffrey, Jules. Les tapisseries du XIIe à la fin du XVIe siècle. Histoire générale des arts appliqués à l'industrie, Vol. 6. Paris: E. Levy, 1911. p. 10, fig. 6. Pératé, André. Collections Georges Hoentschel: Ivoires, orfèvrerie religieuse, pierres. Vol. 2. Paris: Librairie Centrale des Beaux-Arts, 1911. no. 50, pl. XLIV. "J. P. Morgan to Bring Hoentschel Treasures Here." The New York Times (February 11, 1912). p. 13, ill. Ricci, Seymour de, ed. Description d'une série de tapisseries gothiques appartenant à M. J. Pierpont Morgan. Exposées au bénéfice de la Société des Amis du Louvre à la Galerie J. Seligmann. Paris: Jacques Seligmann & Co., 1912. p. 6. "The Morgan Tapestries: Entire Collection of Forty Pieces in Metropolitan Museum Sold to P.W French & Co.." Boston Evening Transcript (April 11, 1916). Friedley, Durr. "The Morgan Tapestries." The Metropolitan Museum of Art Bulletin 11, no. 6 (June 1916). p. 130. Milliken, William M. "A Late Thirteenth-Century French Tapestry." The Metropolitan Museum of Art Bulletin 11, no. 7 (July 1916). pp. 146–47. Meyer-Riefstahl, R. "Three Fragments of the Earliest French Tapestry." Art in America 5, no. 3 (April 1917). pp. 150–55, ill. Schmitz, Hermann. Bildteppiche: Geschichte der Gobelinwirkerei. Berlin: Verlag für Kunstwissenschaft, 1919. p. 64. Hunter, George Leland. The Practical Book of Tapestries. Philadelphia: J. B. Lippincott, 1925. pp. 68–69, pl. IV–f. Kurth, Betty. Die deutschen Bildteppiche des Mittelalters. Vol. 1. Vienna: A. Schroll & Co., 1926. pp. 80–81, 211. Kurth, Betty. Die deutschen Bildteppiche des Mittelalters. Vol. 2. Vienna: A. Schroll & Co., 1926. pl. 23a. Migeon, Gaston. Les Arts du Tissu. Manuels d'histoire de l'art. Revised ed. Paris: Henri Laurens, 1929. pp. 206–7, ill. Göbel, Heinrich. Wandteppiche. 3. Teil, Die germanischen und slawischen Länder. Vol. 1. Berlin: Klinkhardt & Biermann, 1933. pp. 63–64, fig. 41. Rorimer, James J. Mediaeval Tapestries: A Picture Book. New York: The Metropolitan Museum of Art, 1947. p. [2], ill. Heinz, Dora. Europäische Wandteppiche: Ein Handbuch für Sammler und Liebhaber. Volume 1: Von den Anfängen der Bildwerkerei bis zum Ende des 16. Jahrhunderts. Bibliothek für Kunst- und Antiquitätenfreunde, Vol. 37. Brunswick: Klinkhardt & Biermann, 1963. p. 39, fig. 20. Viale Ferrero, Mercedes. "Tapestry and Carpets: I. Tapestry." In Encyclopedia of World Art. Vol. 13. New York: McGraw-Hill, 1967. col. 915, pl. 395. Nagy, Rebecca Martin. "A Fourteenth-Century German Tapestry of the Crucifixion." Metropolitan Museum Journal 16 (1981). pp. 75–85, fig. 1–2, 4. Husband, Timothy B., and Charles T. Little. Europe in the Middle Ages. New York: The Metropolitan Museum of Art, 1987. no. 110, pp. 118–19. Cavallo, Adolfo S. Medieval Tapestries in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1993. no. 54, pp. 617–24, fig. 175–78. Brennan, Christine E. "Hoentschel's Gothic Importance." In Salvaging the Past: Georges Hoentschel and French Decorative Arts from The Metropolitan Museum of Art, edited by Daniëlle O. Kisluk-Grosheide, Ulrich Leben, and Deborah L. Krohn. New York: Bard Graduate Center: Decorative Arts, Design History, Material Culture, 2013. p. 154, fig. 5.9.